Il Duomo
We can take some lessons in building our lives from the builders of Florence’s signature piece of Renaissance architecture.
A poet my husband introduced me to, Theodore Roethke, wrote, “We learn by going where we need to go.” Elder Holland in his address “Cast Not Away Therefore thy Confidence” talked about the courage we must have when we are penned in by figurative Egyptians. No one had ever crossed the Red Sea on dry ground, but that didn’t mean it couldn’t be done. He imagined that Moses had to prove his faith by getting his toes wet before the sea parted.
Everyone who has visited Florence has seen the Basilica di Santa Maria del Fiore, more commonly known as the Duomo (Dome in Italian). The Duomo is capped by the first large dome to be built in the Renaissance, required an almost unbelievable amount of faith by its architects and I think we can draw lessons on faith and hope from it. No one knew how to build such a huge dome when construction was begun. After one hundred years of work, most of the structure of the cathedral was finished, with the builders confidently leaving an enormous hole in the ceiling for a future dome. (Click on photo for larger view.)
The generation that began the dome, spearheaded by architect Filippo Brunelleschi, had no idea how it was to be done, but they started it, using the locally manufactured terra cotta brick. By the standards of that time, a dome of such great size would collapse under its own weight and some large medieval cathedrals had collapsed during construction. The builders went as far as they could using conventional techniques, then contemplated alternatives. Brunelleschi finally conceived of building a smaller dome first to support the structure of the larger dome. This and many other unknown and unorthodox methods were developed and the great dome was completed in 1436. The Duomo has become the most prominent symbol of the beginning of the great Renaissance, which began in Florence, then spread through Italy and the rest of Europe. The Duomo was the prototype for St. Peter’s Basilica in Rome and every other large dome built during that era.
The great thing about the Renaissance was that its artists (an astounding number rose to prominence in a single place—Florence—much like the miracle of the Founding Fathers congregating in Philadelphia) were not afraid to “push the envelope.” Michelangelo had to have been taught by the Lord, for no one else schooled him to be the greatest sculptor of modern times. And the things he had to know about the pre-existence and creation of man are illustrated on the ceiling of the Sistine Chapel. This scene shows God reaching out to give the divine spark of life to Adam. Most people see that. But what is less evident, is that Elohim’s other arm is around a woman. Could it be Heavenly Mother? Behind Him and this cherished woman are a barely formed press of Spirit children that appear to go on to infinity. This knowledge had to be imparted to Michelangelo by our Heavenly Father. The artist is labeled a humanist, because he portrayed these sacred personalities in human form. However, the artist knew, as we know, that the Creator does have a human form, or perhaps we should say WE have a celestial form. (Click on photo for larger view.)
What is there for us to learn from Brunelleschi, Michelangelo, and the other great artists who seemingly rose from the darkness of the Middle Ages? For me, it is to have vision past the ordinary and the mundane. To use the gifts of creativity I have been given to cross my Red Sea or build my Duomo. To align my will with the Father’s and dare to see what He wants me to accomplish, brick by brick, step by step.
I recently attended a Deseret Book banquet where President Eyring was the speaker. He spoke of the Light of Christ that is in all of God’s children when they come to earth. He likened it to a computer search engine. He said these “search engines” were constantly seeking the Light everywhere. President Eyring said that we who have the Gospel, have the light, and that we must rise to the occasion by shining that light and drawing all seekers of light to us.
That is a tall order. He was speaking to authors, musicians, and artists. However, the same is true in every field of worthy endeavor. We may not see immediately how something is to be done. We may serve a long apprenticeship. We may be the foundation for someone else’s work. However, Zion will eventually shine with a light that will be seen by all the world. Those who hate God will be afraid of that light. But those who love Him will be drawn to it.
The Restoration of the Gospel the greatest renaissance of all time, and the greatest spirits of the pre-existence were reserved to come forth and shine their lights in this time. Look how Heavenly Father and Jesus Christ magnified the unlearned schoolboy, Joseph Smith! We can all be stretched, if we are willing to consecrate our talents unto the Lord. Eventually, because we have the whole truth, we as a Zion society, will be a beacon to the world.





