Archive for the ‘Writing’ Category

1
Aug

As Promised . . .

   Posted by: GG Vandagriff

In my last post on why I read what I do, I promised to share a few of my favorite beginnings of my favorite books.  I have been derailed by way too much work, but that is another story…

My favorite beginning, hands down, of any book I’ve ever read is the beginning paragraph of The French Lieutenant’s Woman, by John Fowles.  The bad news is that I gave my copy to my daughter as part of her “classics collection” and don’t have access to it at the moment.  However, the image created by that paragraph was of a woman seated on the quay somewhere in England, looking off in one direction with a gaze that captivated the male protagonist to such an extent that it provided the springboard for an entire novel.  I loved the novel, but my favorite part of it was that image, which I still see in my mind, it was so evocative.

My favorite current mystery writer is Earlene Fowler.  Her books are clean, her characters so addictive that you’ll read her books again and again, just to be in her world accompanied by them.  This is the first paragraph from my favorite of her books, Steps to the Altar (Berkley,2002)

Late at night when the dreams woke him, he would lie in the dark and try to forget the faces of the people he’d watched die.  Memories of them exploded in his brain, popping and flaring like star shells launched from cannons.  With a sick compulsion, he counted off their lives like a human rosary.

End of same chapter, same book:

He never expected Aaron to die.  He never expected to fall in love.  He never expected to find grace.

 

My favorite modern epic storyteller is Herman Wouk.  He begins his unmatched saga of World War II,The Winds of War (Pocketbooks, 1971), thusly:

Commander Victor Henry rode a taxicab home from the Navy Building on Constitution Avenue, in a gusty gray March Rainstorm that matched his mood.  In his War Plans cubbyhole that afternoon, he had received an unexpected word from on high which, to his seasoned appraisal, had probably blown a well-planned career to rags.  Now he had to consult his wife about an urgent decision; yet he did not altogether trust her opinions.

One of my very favorite modern literary writers is Anne Tyler.  In my second favorite book of hers (I can’t find Accidental Tourist), The Ladder of Years, she begins her strange tale with an unforgettable character sketch:

This all started on a Saturday morning in May, one of those warm spring days that smell like clean linen.  Delia had gone to the supermarket to shop for the week’s meals.  She was standing in the produce section, languidly choosing a bunch of celery.  Grocery stores always made her reflective.   Why was it, she was wondering, that celery was not called “courduroy plant”?  That would be much more colorful.  And garlic bulbs should be “moneybags,” because their shape reminded her of the sack of gold coins in folktales.

Can’t you just see Delia and the produce department?

Now for the CLASSICS:

Favorite Modern Classic opening paragraph:

When it came to concealing his troubles, Tommy Wilhelm was not less capable than the next fellow.  So at least he thought, and there was a certain amount of evidence to back him up.  He had once been an actor–no, not quite, an extra–and he knew what acting should be.  Also, he was smoking a cigar, and when a man is smoking a cigar, wearing a hat, he has an advantage; it is harder to find out how he feels . . .

(Seize The Day, Saul Bellow, Fawcett 1956)

Favorite Nineteenth Century Classic opening paragraph:

There was no possibility of taking a walk that day.  We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further outdoor exercise was now out of the question.

I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped finger and toes, and a heart saddened by the chidings of Bessie , the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.

(I cheated–two paras in this one!  You guessed it: Jane Eyre, Charlotte Bronte)

And to round things out, how about a visit to “the wine dark sea”–yes, the opening paragraph of Homer’s Odyssey:

This is the story of a man, one who was never at a loss.  He had travelled far in the world, after the sack of Troy, the virgin fortress; he saw many cities of men, and learnt their mind; he endured many troubles and hardships in the struggle to save his own life and to bring back his men safe to their homes.  He did his best, but he could not save his companions, and ate the cattle of Hyperion the Sun-god, and the god took care that they should never see home again.

(Now we know why the Odyssey is a classic!)

I am apologetic about the Fowles, and feel guilty for not including any Russians, but then, I don’t think Tolstoy of Dostoyevsky were ever really known for their first paragraphs.

12
Jul

Why I Like To Read What I Do

   Posted by: GG Vandagriff

Last night I was in the mood for a good book That doesn’t happen often when I’m writing under deadline pressure.  But, I just wanted to read, nothing else appealed to me, and I badly needed to relax from “deadline tension.”

The book I chose was one I had bought several months ago and though I had dragged it through Europe and up the California coastline, I had never as much as cracked it open.

I only made it halfway through the second chapter, and decided that that’s all I was going to read.  At one time, I might have had more patience, but these days my leisure time is too valuable.  I turned out the light and went to bed clutching Nebudcannezer (I’ll have to look that up one of these days)  my purple fuzzy monkey my husband bought me because it makes me feel like I’m holding my newborn grandson, Micah.  But I didn’t go to sleep immediately.  I am a writer, so naturally I pondered the question:  why didn’t I want to continue that book?  It had a potentially good plot, was very well written, was clean and wholesome.  Then it came to me.  It was ordinary.  Being an eccentric myself, I seem to have no patience with the ordinary.  I have to be grabbed in the first paragraph.  And then, to sustain my interest, I have to have a unique setting, complex (even flawed) characters with quirks, and, in general, the unexpected. 

This may sound like I’m a thrill seeker, and perhaps I am after living on a steady diet of mysteries for many years.  But my favorite mysteries were cozies, so I really don’t think it’s thrills I’m looking for.  I recently read an agent’s blog who said that she was so tired of reading excellently written manuscripts that just didn’t resonate with her, because they followed such an expected pattern.  She always knew how the characters were going to respond in any situation.  After reading that, I made sure my characters were even more unexpected than usual!

To sum it up, what I look for in a good read is:

1.) The unexpected

2.) Characters who are so real that they literally become part of my lfe.  I think about them even when I’m not reading them, and when I finish my book I am always sad because important people have gone out of my life.  I will often read the book over and over.

3.)Settings that are rich with detail that I will enjoy discovering more about as I read.  I am a traveler, and when I’m living life in Provo, I like being an armchair traveler.  That doesn’t necessarily mean foreign travel, just somepace unique that leaves its print on the characters and influences them in speech, dress, or ourtlook on life.  As a writer, I am always on the lookout for such setttings, and enjoy making them “characters” in my books.

4.)Beautiful writing.  Not writing that calls attention to itself, but writing rich with metaphor and simile, great nouns, and as Rachel Anne Nunnes says “fresh verbs”.  I like rich writing that flows like honey, comforting something in my soul, making me feel like I am not alone in there—that someone else sees beyond the surface and describes it in a way that connects with me.

Not much to ask, is it?  In my next blog, I’ll share a few of my most favorite pieces of writing.

Happy reading this summer!

22
Mar

Hot Doin’s In V-City!

   Posted by: GG Vandagriff

My oldest son christened our household “V-City” and published a regular newspaper about our fascinating existence in our small Ozarks community many years ago.  This newsletter contains all our recent news in the scaled down Provo V-City!

First of all, Happy Easter!

Easter is my favorite holiday, because there is such an abundance of things to be grateful for at this time of year.  I am most grateful for the atonement of my Savior Jesus Christ that makes redemption through his infinite love.  I am also thankful for Spring in Utah which is always amazing when seen from my office “The Cranberry Tower” that looks over Utah Valley.

In writing news, I am pleased to announce the forthcoming publication of Discovering Annika , (working title) this fall.  It used to be called The Only Bright Thing, but my publisher disliked the title and the name (Sigrid) of the main character.  So, I’m hoping that they go with this one.  Am also hoping that they come up with a cover as nice as my other books.  This is not a mystery or an historical novel, like my previous offerings.  It is straight women’s fiction.  However, it does have a minor mystery, and a good deal of romance.  The real kind of romance that readers of The Last Waltz will expect from me.  It digs deeply into the origins of romantic feelings and demonstrates different kinds of love.

The story was begun 25 years ago in the Ozarks, when I was mentored in the craft of writing by an outstanding editor, who taught me the art of cutting away the dross and allowing the true story to shine.  It was a painful process and took about five years.  Since that time, the novel has undergone many incarnations, but when I submitted it to my product director last year, she said, “You need to go deeper with this.”  So I began digging once more into the psyches of my characters.  I was surprised at how much my perspective on love has changed from my first writing of this tale.  The waiting was good, for I learned a lot in those many years of letting it simmer.

Annika is living a double life, plagued by flashbacks to a former very passionate relationship and a career as a concert pianist in Europe.  Her husband knows nothing of that Annika.  He thinks she is his stoic, Scandanavian Eve and that he has found Eden in the Ozarks. Annika has never given him the slightest clue about her past, because she is determined to begin a new life with Dennis.  But, as most of us know, if we don’t deal with our emotions properly, they will hold our bodies and our lives hostage until we have let ourselves feel the feelings we have been shutting down.  Dennis must piece together Annika’s real personality, while Annika must decide whether she is the past Annika or the Annika that is living with her husband and three and a half year old son on the Peach Tree Farm.  I can promise you that if you like character-driven fiction, this will be a good, and perhaps even an enlightening read for you.

So, you ask, what about The Crazy Ladies? Well, that book has turned out to be an amazingly wonderful and difficult project.  I have never written any serious fiction this fast and it is a challenge.  I am on my second draft, incorporating the ideas and edits of my three alpha readers.  I will need to add a lot of new material at the end.  Hopefully, you will see it in 2011!

David’s book I Need Thee Every Hour: Applying the Atonement in our Everyday Lives, is steadily climbing the bestseller charts.  You will see it on page one of both DB and Seagull.  In the Seagull retail stores, it is currently #8 in the bestsellers.  It is wonderful Easter read, and his reviews have shown that many people find it to be a life-changing book. You can read daily postings on http://www.atonementblog.com/.

Meanwhile, I am preparing for our second Crazy Ladies research trip–this one a cruise to the Greek Isles.  It promises to be fascinating and exhausting.  Am trying to up my capacity for both aerobic activity and walking and climbing after more than a year of little or no exercise due to my orthopedic problems.  I have a brand new stationary bike, and plan to resume my neighborhood walks.  I have also bought an impressive array of shoes.  I think I may need to take an extra bag, just for shoes!  Everything from silver sandals to Sketcher orthopedic walking shoes!  Wish me luck!

And for goodness sake, if you are an Alex and Briggie fan, be sure to enter the great contest on the contest page of my website: http://ggvandagriff.com/contest!

31
Oct

Introducing: The Crazy Ladies of Oakwood

   Posted by: GG Vandagriff

Please, please comment on what order I should introduce these characters to make the book enticing.  I will use all my influence to name my coming grandchild after you.  Any other comments will be appreciated.  Please look past the editing.  Thank you, thank you, thank you.

R O X I E

At first, it just seemed just like any other day. Roxie Castro stretched in bed, relishing the warmth of her duvet on this first morning of fall. Edged with scarlet, the maple leaves outside her bedroom window were preparing for their annual show of florescent orange-red, and the air was nippy. This was Arroz Habaniera weather. Roxie could taste her mother’s favorite fall dish, even as she felt the little bead of warmth in her breast that always accompanied waking up in Oakwood, Ohio—the furthest place spiritually from Little Havana that she could have found.

Then she remembered, and the bead of warmth turned into a knot below her breastbone. This was the day she had been dreading for a month. Group therapy, of all things. She was the happiest person she knew. Why did she need therapy?

Sighing heavily, she threw back the covers, pulled on her purple fleece bathrobe, and went through the archway between her bedroom and her office to check her e-mail. She loved her office. Formerly a sleeping porch, some previous owner had made it into a sunroom, replacing the screens with windows.

"Buenos Dias, Benito, caro, amor de mi vida!" she crooned to her cardinal, perched in the magnolia just outside her second story office. She and Benito had a relationship. As far as she knew, he was unacquainted with her doppleganger, Jennifer Lopez, and accepted Roxie for herself. After greeting her every morning, chirping and fluffing his wings, he flitted off to tend his daily duties. A perfect example of the male of the species., as far as she had encountered it in her thirty years.

Nothing had come in overnight on her e-mail, except a statement from her grandfather’s accountant, a shrunken little Jewish man whose grandfather Salvatore Castro had entrusted with his fortune after his flight from Cuba in the fifties. She schooled herself to pay attention to it. Even though she was Salvatore’s youngest granddaughter, she had received a large inheritance. Because of the plunge on Wall Street, Aaron was moving all her money into Treasuries and Money Market accounts. Her balance was still healthy, though the plunge had cost her about fifty thousand dollars. She knew Aaron would work his wizardry and get the money back. Though in his seventies, he was sharp as a new razor blade. Besides, aside from her spur of the moment trips to faraway places, she didn’t touch her inheritance. Once she had paid cash for her dream home—a truly American white-framed house set in its forest of trees, she had had no trouble living within the limits of her salary from the university.

Time for breakfast. Donning her purple fleece robe, Making her she made her way downstairs, . Roxie drew comfort from adored her kitchen. She had painted it the warm gold of Tuscany with white cabinets and tile floor. As she sipped her orange herb tea and tried to eat her morning dose of homemade granola, she attacked her dread by mentally mapping her day. Perhaps there would there be time to see William before she had to be at Dr Hilliard’s office?. hospital? Just a flying visit, to see how his weekend went? Her watch told her she needed to hurry, but she could make it.

After a quick shower, she put on her Halloween scrubs. She wore them a size larger than she needed and they pooled dangerously over her Nikes. William was always telling her she needed to get proper clothes in their proper size or her students would think she was one of them. And even though he was her boss, at UD, as long as the Provost didn’t complain about her unconventional dress, she was sticking with her scrubs. It kept the grabbers away. Though, she had to confess, she hadn’t had a single grabber since she moved to Oakwood two years ago. Only the occasional leer.

William looked up from the New York Times when she came through his office door. His severe face, too lined and hard for his forty years, broke into the rare smile that changed his face from saturnine to wistful. "Roxie! I didn’t expect to see you this morning. I thought you had an appointment."

"I do. But I came for some of your courage. Isn’t it ridiculous? I’m terrified everyone’s going to think I’m a pole dancer."

The Her journalism department head laughed, a thing she prided herself on being able to make him do. "Not in that getup! You look like a sixth grader with your braids."

She turned her back to him, so he wouldn’t catch her staring at his beautiful hands—long, tapered, and graceful, they gave a clue that his touch would be tender and caressing. She could almost feel it. Pretending to and pretended to inspect the gilt frame of his degree, she read:. William Niederhauser, Ph.D., Medill School of Journalism, Northwestern University. Did he really see her as a sixth grader? Possibly with a schoolgirl crush?

"Tell me, William," she said, spinning around to face him again. "I’ve always wondered. Why University of Dayton? You’re a nationally syndicated columnist. Why not Georgetown or Columbia?"

"When I had my accident," he said, indicating his wheelchair, "I nearly died. Marjorie was gone. All I had left was little Bill." He, too, looked at his degree. "I used to be ambitious, but after I was well enough to go home to Bill and realize how traumatized he was, I decided that Oakwood had to be our home. It’s the only thing he has left of her. I can do my job quite well from here."

"Hmm," she replied, looking into his hooded blue eyes. Under his stare, she felt herself growing hot. He saw way too much. He probably knew that she wanted to kiss that quirky mouth with a tenderness that would make up for his losses. She could do tender with a paralyzed man. "I guess it’s time for me to get going."

"Courage, ma petite," he said, with a gentle smile.

She saluted him smartly, hoping to disguise her feelings. "Hasta luego, hombre."

Driving the short distance through Oakwood to the hospital in Kettering, she surveyed her safe little town with its storybook trees and mansions while keeping carefully to the speed limit. Her friend had been given a speeding ticket for bicycling over twenty-five miles per hour, and all speeding tickets were published in the Oakwood Register along with the speeder’s age. The latter fact clearly kept drivers in line. Did William read the Oakwood paper? Maybe it was worth a speeding ticket to make him realize she was thirty. Plenty old enough to know her own mind.be involved with a forty-year old man.

She passed the town library, a sturdy faux-European whimsy set in its brilliant green lawn. Inside, it smelled like the best university libraries, and its librarians all had Ph.D.’s. Its book group was currently reading all of Anne Tyler and Roxie was behind in her assignments. It was not because she was a slow reader, but because she read the same passages over and over, trying to understand Tyler’s mind. Her margins were covered with notes. Maggie in Breathing Lessons was her favorite character, probably because she never counted the cost, but always rushed in to grab the reins in a futile attempt to steer the chaos of life.

Roxie knew she was a reins-grabber. All the Castros were. Witness Cousin Fidel.

When she had slid into love with William, she had, at first, visions of taking him to Lourdes and healing him in the magic waters, or better yet using her fortune to fund stem cell research that would enable his spinal cord to regenerate. But, then she wondered if perhaps she had only allowed the slide because he was paralyzed. Their relationship was set to exist only within the bounds of her imagination.

What was wrong with her?

G E O R G I A

It was the middle of the night when Georgia Todd rolled over when the alarm rang and wrapped her head in her goosedown pillow. As usual, she had been awakened by a phantom Ben reaching over to caress her. Before she could plunge into mourning, she She tried to grab hold of her dream again. She had been paragliding in Utah, the updraft from the Wasatch mountains carrying her magically above the changing colors on the valley floor. Utah Lake was silver, the morning glinting off it like a sun on a mirror.

Squinching her eyes, she tried to grasp at that free Georgia Todd who had left all the trappings of her widowhood ordinariness on the ground and was defying gravity. Like she used to, when her career had carried her into the stratosphere.

Time to get up, you lazy slug.

The last wisps of freedom fled, and Georgia wondered as she did every night when she awoke in the small hours what she could do until morning came. Needlework was, of course, out of the question. Going through her usual list of possibilities and rejecting each of them, she finally did what she knew she would do from the instant she woke.

Georgia turned on the light and got her scrapbook of newspaper clippings out from under her bed. She spent the next two hours until dawn visiting all the capitals of Europe. She recalled clearly every event that had occurred back in the days when she had had no inkling that her life could change so drastically. What was she doing, stuck here in Oakwood, Ohio? This was not her world.

what she was going to do with the next twelve hours before she could take her next sleeping pill. When dawn became morning, she heaved herself out of her king sized bed. She had something scheduled today. this morning. What was it? Remembering, she groaned. She’d have to put on her armor. No lounging around in her sweats today.

Getting out of bed, she grabbed her Christian Dior white satin robe. Ben had liked to see her in Christian Dior. But the robe hadn’t been washed in awhile. Perhaps she’d get one of those luxurious spa robes that swallowed you with yummy warmth after a full body massage.

She hadn’t been to the spa since Ben’s death. Her eyelash extensions were completely gone, the bottoms of her feet were like emery boards, and her cuticles were hopelessly ragged. Not to mention the fact that there was a silver line down the part in her champagne-colored dye job.

What was that word? Inertia. Such a heavy word.

What should she have for breakfast? She d She descended her winding staircase and came to the massive front hall of her home. Its dark brown walnut paneling added more weight to her spirits. But she could hear Tina rattling around in the kitchen, and immediately she had an overmastering her new appetite revealed a ccraving for French toast with bacon and maple syrup.

"Good morning, Mrs. Todd?" Tina always made everything into a question. It was endearing.

"French toast and bacon with maple syrup, Tina," she answered. "Aren’t you freezing? I’m going to turn on the furnace."

"I hate to see summer go, you know?" Tina said. "I’m in denial, don’t you think?" The young woman indicated her t-shirt and capris. Both, of course, were black. She wore her dyed black hair parted down the middle and fixed into two knots on top of her head like antennae. Without waiting for an answer, she said, "We need to plan the menu for the luncheon, okay? I’m thinking butternut squash soup for starters? This weather always reminds me of squash soup, don’t you think?"

"I’ll leave the menu up to you, Tina," Georgia said, feeling the new dread that descended on her at the thought of entertaining. Why not drop all her charity work? Without Ben, it seemed pointless.

"Budget?" Tina asked as she whisked eggs together for French toast batter. Georgia salivated at the bacon that was already frying.

"We’re charging a hundred per plate, so try not to go over fifty."

"Which group is this again?"

"The Dayton Phil."

Tina stuck out her bottom lip and blew her bangs up off her forehead. "You know I’m glad you do these things, because otherwise I wouldn’t have a job, you know?"

There was that. Georgia would hate to put Tina out of work. Caring for a middle-aged widow’s solitary culinary needs couldn’t be much of a challenge. But, she liked having someone else in the house. Someone young. She existed in her pseudo-Tudor mansion like a hard little ball bearing in one of those wooden box puzzles, trying to avoid all the holes to keep from dropping through to the bottom. She looked at her almost useless hands and felt the acute loss that never left her.

At last, her French toast was ready, and skirting away from conscious thought, she savored the syrupy concoction and the crisp salty bacon. Ummm.

But she had to face facts. Her clothes were growing a little tight, and she didn’t think Talbot’s carried size sixteen, so she had purchased an all-body girdle. She ought not to be eating so much. Talbots was a must in her American upper-class social circle. And she had zero motivation to go shopping. Georgia had always known that the simplicity of classical lines was not for her. At heart, she was and always would be a drama queen. And that was the woman Ben had fallen in love with. Classic was so boring! Like her life. She climbed the stairs listlessly.

When she was finally dressed in her full body girdle and cobalt and black knit suit, she tried to do something with her hair. But there was simply no way to disguise the silver. If she went to Coco, her hairdresser, that would mean another trip out of the house.

Then she realized her hair didn’t matter. No one cared what she looked like. No one cared who she was. The world was not going to cave in. It already had.

S A R A

Sara was keenly aware that she no longer knew who she was. Her bare toes were like little digits of ice by the time she finished her Tai Chi Chih on her back lawn. Soon she would have to move indoors to do this morning routine. She always dreaded winter. Perhaps it was the voices in her blood. They didn’t have winter in Vietnam. But maybe it would be different this year since she had her anti-depressants. The narrow tunnel she had traveled for so many years had opened up into a world she had never experienced.

Entering her neat, completely remodeled bungalow, she went to the telephone in her spotless white kitchen to place her morning call to her mother. They spoke in their native tongue. Sara’s mother was still trying to master English after thirty years. A chemist in Vietnam, she now worked at an upscale spa doing massage therapy in another Dayton suburb.

"So, daughter, how many patients do you have today?"

Sara lied. She wasn’t even going into the office today. "Enough to keep you and Father comfortable."

Her mother made a sound, pushing away Sara’s words. "We do not need your money."

"I want to get you out of that bad neighborhood, Mother. Someone was arrested down your street for making meth in his house last night. It was on the news. I want you to come to live in the house next door where it is safe. I have told you I will buy it for you." Guilt scraped her raw at a place in her chest, exacerbated daily by similar conversations.

"This is enough for us, daughter. Everyone in our building remembers what we left behind. Everyone remembers who your father was. In Oakwood, we would be strangers."

Sara sighed. The Vietnamese community was very close knit. She thanked Buddha daily that she no longer had to live within the confines of its culture. But the guilt remained. Looking at her watch, she realized her morning was getting off track. It was already seven o’clock.

Telling her mother, for the thousandth time that she couldn’t discuss her patients, she hung up. Her mother was always hungry to hear about all the mothers and their babies, even to the extent of coming down to the hospital at night to see the ones Sara had delivered that day. And she nagged. That was such a good English word. There was nothing precisely like it in Vietnamese. Her mother was a nag. She wanted grandchildren.

Sara went to her white marble bathroom and downed a fistful of Xanax almost without thinking. Then she took a short, hot shower, scrubbing away her guilt. Being a Vietnamese mother was not what she dreamed of. She certainly wouldn’t marry Anh with his fetish for fast cars and faster American women. For the first time in years, she wondered if she should have ditched her rigid life’s plan and stayed in England with Iain, living the life of a gypsy.

But at least she had these two hours in the morning when she could indulge herself. After drying her body, she slid the black velvet floor length evening gown over her naked body and fastened it. Then she went downstairs to the basement and the soundproofed studio she had created.

She opened the violin case and carefully lifted the expensive instrument from its velvet bed. What piece should it be today?

Her dread intruded. That appointmentHer appointment was at ten. Why did Americans think they had to expose themselves? She felt as though she were going to be pushed into ice water naked. But her attendance was necessary if Dr. Brooks was going to continue prescribing the anti-depressants and tranquilizers she needed. He had even hinted that doctors with addictions had no business in the hospital.

But even the Xanax wasn’t doing its job today. Sara needed to jolt her mind. Give it a challenge to dissipate all this anxiety. So, of course, it had to be Paganini. Putting bow to strings, she tuned her instrument, and then launched herself body and spirit into the concerto. She had heard Sarah Chang play it with the Dayton Phil. But Sara Nugyen knew, even if no one else did, that she could play it better.

This concerto was the chronicle of her life. The first movement played out the simple melody of her Vietnamese childhood—a time she could barely recall, filled with food and relatives and their grand home at the edge of Saigon. This was followed by mounting tension and hints of cataclysm, then the drama and triumph of their escape.

The next movement was frightening to her still—the long days on the China sea, the sun, the heat, the diminishing food. Then as her mother gave her the last sip of canned milk, she saw the awful knowledge in her parents’ eyes that something bad was going to happen. Suddenly, more triumph! A U.S. destroyer had sighted them!

In the third movement, was the day to day uncertainty of life in the refugee camp in California, followed by their scary existence in the ghetto. But even then she had triumphed, graduating Downey High School valedictorian with a full scholarship to Bryn Mawr.

Instead of spending her physically, the concerto reacquainted her with her strength. She was no robotic Asian Wunderkind, performing technical marvels. Sara played this accompaniment to the tragedies and victories of her life with a skill no one would ever hear.

The beauty of the music she alone witnessed caused her to weep. She wept far too easily these days. Where was her customary stoicism? Where was her Asian stoicism? Two and a half hours later, when she put her instrument down, the concerto still hung in the air, accompanying her upstairs to her room, where she changed into jeans and a Bryn Mawr sweatshirt, blew her nose, wiped her eyes, and ran out the door so she would not be late. Good Vietnamese girls were never late. And they never shirked their duty. She had forgotten breakfast again. But the violin had fed her. Her hunger was a penance.

M C K EN Z I E

News radio woke McKenzie at six o’clock with the disturbing account of wildfires in California. Another day in this scary, unpredictable world. Heart racing, she looked over to the empty side of her bed. Her panic accelerated until she was hyperventilating. Ted. Escaped to Florida, his boat, and possibly women without number.

With determination, she took a deep breath. Inhale. One. Two. Three. Four. Five. Exhale. Un. Deux. Trois. Quatre. Cinque. After fifteen minutes of this activity, augmented by a mental picture of her friend, Nancy, the perfect, Nancy, the serene, Nancy, the mother of four perfect daughters, her heart slowed. Life is possible. Life is manageable.

She realized she was shivering in her satin nightshirt. There was definitely a nip in the air this morning. Throwing back the quilt her mother had made for her wedding, her mother’s quilt, she padded over to her closet and took her sweats from the hook on the inside.

Running up the brick-paved street through her tree-filled neighborhood, she wondered, as she always did, what dramas were playing out in the mansions she passed. Was there really any happiness in marriage? Yes, Nancy was exquisitely happy. Were there really kids who didn’t hate their parents? Yes, Nancy’s kids adored her. They even went to church.

She was going to therapy today. It was a pro-active choice. She was going to find out what was wrong with her, where she had failed. Then she would fix it and everything would be fine again. Ted would come back, supplicating her for reinstatement into their lives. Josh would stop drinking and start doing his homework and preparing for track season. Jessica would eschew cigarettes, chains, body piercings, and might even have her tattoo removed. She would stop banging out angry Stravinksy on the piano and go back to Mozart. She might even rejoin the tennis team.

Then McKenzie could relax, could become what she had always thought she was—a successful Oakwood mother with a husband who was a doctor and played golf on Saturdays, a son who was first in his class on the fast track to Yale, and a beautiful petite daughter who ran with the speech and debate crowd, winning trips to Nationals every year for her dramatic interp. Everyone would stop punishing her for being a failure. She just had to fix herself.

An hour later, she was home. Jessica had fallen asleep on the family room couch in her clothes, a full ashtray by the arm that was dangling. Her black hair was unwashed. But her face was tranquil in sleep, and it was possible to remember her daughter the way she used to be. McKenzie had seen this same daughter every morning for the past seventeen years. They had gone through thumb-sucking, braces, acne, and baby fat together. Leaning over, she kissed her daughter’s cheek. "Time to get up, sweetie. It’s after seven."

Jessica sat up, moving the hair out of her eyes. "The only way out is through," she mumbled.

"What?" McKenzie was startled. "Were you dreaming about Alice in Wonderland or something?"

"It came to me at two in the morning." Jess indicated a slim black volume. McKenzie saw that it was T.S. Eliot’s poetry. "That’s what I’m learning, Mom. And you’d better learn it, too. Stop trying to turn the clock back."

Then she was gone, leaving her mother to contemplate her message. T.S. Eliot?

Sitting on the couch, she opened to the dog-eared page. It was the middle of a poem. A stanza was underlined. At first it was entirely incomprehensible. But it was important to Jessica, so she sat down and puzzled through it.

Shall I say it again? In order to arrive there,

To arrive where you are, to get from where you are not,

You must go by a way wherein there is no ecstasy.

In order to arrive at what you do not know

You must go by a way which is the way of ignorance.

In order to possess what you do not possess

You must go by the way of dispossession.

In order to arrive at what you are not

You must go through the way in which you are not.

Jessica had found just the words to explain the soul-wrenching upside-downness that was their lives since Ted left. She had adored Ted. He had been teaching her to golf. He went to all her speech contests. Jessica had even learned to make Sushi because it was his favorite food.

McKenzie felt guilt shaft her through. Why had she failed? How could she have been a better wife?

She looked around her at the perfect Ethan Allen family room with its plaid overstuffed couches, its maple bookcases, the coffee table with its Martha Stewart magazines. And Jessica’s ashtray.

Josh was harder to awaken. Sprawled over his double bed, he lay on his stomach, limbs outflung. There was a box by his bed that hadn’t been there yesterday. Lifting the lid that was addressed to his dad, she peered inside. McKenzie saw all his athletic trophies and medals. She felt the impact of a fast moving truck slam her heart. Legs trembling, she sat on the floor and wept.

Poor wounded boy. Poor wounded little boy. Until this morning, she hadn’t realized that her kids must be wondering where they had gone wrong. They didn’t realize she was to blame.

She wiped her eyes. She was going to fix this. Starting today in therapy, she was going to learn how to make it all better. Her children had been dream children. Ted couldn’t have asked for better kids. It wasn’t their fault, and she didn’t want them carrying that burden.

This was probably a very pedestrian drama. There was probably nothing unique about it. After all, hadn’t Ted told her she had no imagination? She couldn’t even have interesting problems. But they were her problems. And she knew as deep as could be that there were lives at stake here. One of these days, in their rebellion and confusion, one of her children was going to make a mistake that couldn’t be fixed. Like shooting up the high school. Or killing someone while they were drunk driving. Or getting HIV.

The possibilities paralyzed her. Could she change in time? How could she make herself interesting to her husband?

Resume of McKenzie Davenport

Education:

B.A. Stanford University, Art History. Two quarters abroad in Italy. Grades: 4.0

M.A. Columbia University, Art History. Thesis: Michelangelo: Humanist or Christian? Employment:

Docent: Metropolitan Museum of Art

Hobbies:

Interior Design

Cooking

Photography

What a totally boring human being she was! What had Ted seen in her in the first place?

They had met in front of Van Gogh’s Olive Grove. He was possibly the handsomest man she had seen in her life—blond, broad-chested, tanned, a cleft in his square chin. But his forehead was marred by a frown. "Do you think the twelve olive trees are significant?" he had asked her.

"I do. See that little bit of red in the corner? I think it’s meant to represent Christ’s atoning blood. I think the trees are his apostles."

He looked at her then. She had been wearing her docent’s uniform—a gray a-line skirt and vest over a white blouse with a ribbon tie of navy blue. Her hair had been wild that day—curling into a great mass she hadn’t been able to tame. Had Ted mistaken her for a Leonardo, just like Cecil had mistaken Lucy in Room With a View?

But, like Lucy, she wasn’t a Leonardo. Just an overachiever from San Marino, California. Her thoughts on the Van Gogh hadn’t even been original. She’d read them in a book in grad school.

He had left her because she was just too boring for words. Looking at the still-sleeping son, she demanded of the heavens, why should the children suffer?

.

14
Oct

Day 8: Hooray for the Medicis! I finally have a plot!

   Posted by: GG Vandagriff

It didn’t seem like it was going to be a very productive day.  I woke very late and stayed in bed still later.  After dosing myself with tylenol, adderal, and diet coke, I was finally able to hoist myself out of my comfortable bed and get myself pulled together.  Determined to economize, we got directions to the Medici’s Pitti Palace on the bus.  Well, if my hip had been decent, we could have walked there in half an hour, tops.  But, due to the idiosyncracies of the Florentine bus system, it took us an hour and a half.  Then we discovered that it was nearly two and we were famished.  We just happened to be right next to our favorite restaurant.  We dined.  We did not reach the Pitti Palace until 4:00!

Pitti Palace-Tweaked-Small Fountain-Tweaked-Small

But all was redeemed when I finally got to the hill at the top of the Bobili Gardens, found the porcelain museum, and zap a subplot for my Crazy Ladies zipped into my head.  It involves crawling through the Medici’s private walkway, which is difficult and expensive to arrange, but we’re on it.  Turns out Florence is far too exciting for a pedestrian women’s novel.  This book is going to have plenty of ZING, not to mention a bright red Vespa.

Hill Castle-Tweak-Small Green Slopes2-Tweak-Small

David had a good day, too.  I’m sure you can’t wait to see his photos.  Neither can I.  I’ll get off the computer so he can add them.

Last two photos are views from the top of Boboli Gardens, standing on top of the high wall that protected the old city, looking at the surrounding countryside.  This is less than a mile from downtown Florence.  Click on photos for larger versions.

19
Aug

Will I Ever Write Fiction Again?

   Posted by: GG Vandagriff

Seriously, I need to be two people.  One who is left-brained, and one who is right-brained.  My right brain is currently starving.  I don’t remember a time in the last month when I have written fiction.  I hope I can remember how.  Instead, I have been:

1.) recovering from hip replacement surgery

2.) writing a new non-fiction gift book: Embracing Abundance

3.) planning, doing, promoting, and organizing myself for book tours (see Appearances page on my website http://ggvandagriff.com.) for The Last Waltz.

4.) submitting expenses

5.) planning, promoting, and organizing my upcoming Internet launch of my latest Alex and Briggie mystery, The Hidden Branch (see previous post).

6.) learning to Twitter

7.) traveling on book tours

8.) doing local signings

9.) helping launch my niece Emily into wedded bliss (she is now in Thailand rock climbing)

10.) entertaining my beloved grandson, Jack with (“You wanna pway wight sabers with me?”) no regard for my hip.

11.) doing a spa day and Booksellers with my daughter, Buffy.

12.) feeding my sons

13.) letting my husband do the laundry, grocery shopping, and run the roomba around the house like a crazy man.

14.) lunching with all my beloved friends and family.

15.) gaining weight.

I don’t foresee fiction in my future until after we return from Florence in mid-October.  Then it will be a wild ride as I entangle the lives of four women and somehow get them out better than before in Crazy Ladies of Oakwood: Vol. One–The Escapade.  I figure it might take a year.

24
Jun

Tristi’s Writing Challenge

   Posted by: GG Vandagriff

I hereby challenge myself to finish the end of Rachel’s edit, as well as finishing Crazy Ladies up to the time they go to Florence.

9
Jun

Say a little prayer . . .

   Posted by: GG Vandagriff

Today I finished my next to the last draft (one more for typos) of The Only Bright Thing, the most difficult and challenging thing I have ever written.  It is full of powerful emotions and situations.  It is NOT light fiction.  I think it will appeal greatly to those who loved the complexity of The Last Waltz, though it is only 249 pp.  It concerns a woman recovering from a great obsession, trying to sort out her emotions while she is in the fifth year of her marriage, pregnant with her second child.  I don’t want to say too much about it, or I will spoil it for future readers.

My prayer is that Shadow Mountain will see its great spiritual potential, though there are scenes that are emotionally difficult.  If you like your fiction to be substantial, please join me in hoping that my efforts will be rewarded!

Now I am cleaning my desk.  Pain from surgery only a memory!

25
May

Interview with author, Lynn Gardner

   Posted by: GG Vandagriff

Lynn’s hallmark as a writer has always been fast-paced suspense that takes place in interesting locals which she carefully researches.  Her latest novel, Pursued, is second in her Maggie McKenzie series, intertwining Maggie’s search for her brothers, who were adopted out at birth, with a world wide plot involving the destruction of major cities and landmarks.  It is non-stop action from page one.  Lynn’s webpage is here.

Following is an interview I had with the very prolific, Lynn, whom new LDS readers may not know very well.

GG: How long have you been writing the Maggie McKenzie series?

When Rubies and Rebels, the 9th book in the gem series was published in 2003, my editor asked what my next project was. I had just completed the research (a trip to Italy and Greece with my husband) on the 10th book, Topaz and Treachery. She asked if I anything else in mind. Actually, I had been thinking about a young photojournalist fresh from college who has a demanding boss who didn’t want her in the first place so he gives her all sorts of ridiculous assignments. She suggested that instead of writing Topaz, I start the new series. Vanished: A Maggie McKenzie Mystery was published in 2004.

I then wrote Topaz, and as soon as it was finished, I started on Pursued, the second in the Maggie series. But the editors didn’t like the twin mind connection, (they didn’t much like it in the first book either, but since I had so much documentation on the research being done on that subject, they relented if I toned it down considerably, which I did.) But with each rewrite and submission, I’d find a new editor looking at the manuscript and suggesting different revisions. At one point, I was so discouraged, I was ready to just forget the whole thing and toss the manuscript “in the bottom drawer” as the saying goes. They encouraged me to make some drastic changes in the story line – which I did.

I had some good advice from my friend, Val, and started over with a new premise, slashed some of my favorite parts which contained the mind connection with the twins and siblings, and the exciting climax which took place in the ruins I most loved in Wales, Tintern Abbey. It is a wonderful, magical place that I could have spent hours in just soaking up the spirit and atmosphere that William Wordsworth felt. He wrote that when his spirits were burdened and he was depressed, he just had to return to Tintern Abbey in his thoughts and remember the beautiful Wye River flowing next to it and he was rejuvenated. But that will never see the light of day. Sorry.

So with all the rewrites and rejections, and more rewrites, you can see that Pursued took four long, agonizing years. Which seems incredible, since Emeralds, the first book only took me two years. It came out in 1995; Pearls, 1996; Diamonds, 1997; Turquoise, 1998; Sapphires, 1999; Amethysts, 1999; (two books that year!) Jade, 2000; Opals, 2001. Then we went on a mission to Armenia, and when I got back, Rubies was published. So apparently, I wasn’t getting to be a better writer during all those years.

GG: What would you consider your hallmarks as a writer?

If you mean, what do my readers expect when they pick up my books, they know they will find in-depth description of place and some history to go with it, a lot of fast-paced action, and a good absorbing story. I love to feel familiar with a place when I’m reading a book because the author has described it so well, so I want to give my readers that experience. I feel everyone should learn something new when they read, even when they’re just reading for escape, and they should be entertained by the story. I want my stories to be unpredictable, so the reader can’t anticipate what will happen on the next page. As I write, I think, what is the worst thing that can happen next? What if? That usually leads off on exciting tangents. I want readers to feel good in the end – not feel the read was a waste of their time. I’m delighted when someone tells me my books got them through a trying time in their lives by taking them out of their troubles for a bit and into another world.

GG: How much on the spot research did you do for Pursued?

As with all my books, I personally travel to the location so I can get the feel of the place first hand, and I research the history so I can include fun things about it, weaving them into the story line. I traveled to England and Wales with two cousins and a friend to do family history research, knowing at the time that I was writing this book, so everywhere we went, I plotted the story and made notes as to what Maggie would be doing there. Unfortunately, much of what I envisioned on the trip didn’t come to pass in the final version of Pursued, but it may ultimately be a better book for some than the first version. I hope so.

GG: Do you outline your books or make them up as you go along or do something in between?

I know the starting point – the inciting incident of the story – and I know where the story should go, and usually have an idea of how it should end. As I begin writing, the characters sort of take over the story and I envision in my mind what they are doing – a movie playing out in full color and sound – and just write what is happening. Occasionally they start down a road that I hadn’t foreseen and it is better, or sometimes I have to rein the characters in and lead them along the story line that I originally conceived. But I do not do organized plot lines or outlines.

GG: Pursued is extremely complex. How do you sustain that complexity? Is it a natural talent or have you developed it over time?

As I said, I’m seeing all this happening in my mind as a movie. There are things occurring at the same time all over the world, so I need to keep the reader up to date on what’s going on. It didn’t feel complex while I was writing it. I was just recording things as they played out for the characters. Does that make sense? Or does it make me sound loony?? J

GG: I think there are two types of writers: a.) the type who can write a book all at once that needs very little revision, or b.) the type (like me) who writes draft after draft, layering the plot and the characters. Which are you?

I used to be the first kind. Sort of. There were always revisions, but nothing too major or time consuming – until Topaz, the 10th in the gem series. I had an editor assigned to me who introduced himself via e-mail saying he didn’t like romantic suspense, never read the genre, but was my new editor, and by the way, my characters were terrible but since they were already established, he guessed there wasn’t too much we could do with them at this point. Our relationship went down hill from there. J The last three books had major issues that required copious amounts of rewrite and revision. But I don’t do several drafts layering plot and characters, though it seems apparent by the editor’s comments that I should have been doing that.

GG: When did you know you wanted to be a writer and how did you decide on suspense fiction?

My high school graduation year book states as one of my goals I will someday write and publish a book. I didn’t even remember that until one of my classmates reminded me after Emeralds was published (39 years after graduation!) But I’ve always written something – I edited a family newsletter for 20 years, wrote Relief Society Newsletters, sacrament meeting special programs for Christmas and Easter, road shows, special Relief Society and Young Women programs. I just had never written a real story – fiction – until I started Emeralds and Espionage.

I love reading suspense and mysteries of all kinds – not thrillers as a rule like Stephen King or Dean Koontz. I don’t go for the really terrifying stuff, but when I began writing, it was only natural that I would gravitate to the genre that I loved most to read. I’m sure I read every Nancy Drew mystery as I was growing up, then I read all of my Dad’s Erle Stanley Gardner mysteries, and Agatha Christie, then Mary Stuart and Phyllis Whitney. Then a host of new mystery writers emerged and I devoured them. I love mysteries! When we watch TV, it’s always mysteries or suspense or documentaries – never sitcoms or the alphabet networks. The BBC mysteries are the best!

GG: Are Maggie and Flynn going to get married finally?

(Smiling) I guess you will just have to read the book to find out. I don’t want to spoil the ending for readers who haven’t yet had a chance to get the book.

GG: What are your future writing plans?

I’ve been giving talks for 30 years to women’s conferences, youth and single adult conferences, family history conferences, sacrament meetings and stake conferences and other venues, and I thought now might be a great time to prepare some of those for little gift books. I think in these troubled times, people need a bit of an uplift. And since we are always looking for a thoughtful little gift for Christmas, birthdays, Mother’s Days, etc, I thought I might concentrate on that a bit and give my overworked fiction editors some relief. I’m sure they’ll be glad to hear that.

GG: Share with our readers your goals as a writer.

Very simply, I want to entertain, educate and edify with every story. I hope I do that.

9
Mar

Why the Cranberry Tower?

   Posted by: GG Vandagriff

My office is painted Cranberry (my favorite color) and sits high on the Provo Bench overlooking the Utah Valley.  It is especially cluttered the deeper I get into a book!  And I am deep into my next Alex and Briggie genealogical mystery—the Hidden Branch–that takes the whole gang to Surf City (Huntington Beach) CA.  Be ready to walk on the Huntington Beach Pier this fall and eat hamburgers at Ruby’s!